Spider-Man Box Office: Global Records & Highlights

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Major film franchises like Spider-Man and Star Wars dominate international box offices, while smaller films such as Panic Room seize opportunities in select markets.

Over the weekend, major film franchises continued their stronghold across various international markets, with “Spider-Man” and “Star Wars” maintaining their dominance at the box office. Meanwhile, smaller films like “Panic Room” and “40 Days and 40 Nights” capitalized on limited windows to make notable openings in select regions.

“Spider-Man” raked in approximately $13 million from ongoing releases and a single new debut across 34 countries, bringing its global total to an impressive $122.2 million, as reported by Sony. The film set a new opening record in Colombia, earning roughly $879,000 in local currency and surpassing “Harry Potter and the Sorcerer’s Stone” by over 80%. In its third week, the superhero adventure earned an estimated $3 million in Mexico, approaching the record haul held by “Titanic” in the territory, with the total now at $23.8 million. Brazil contributed $1.9 million, ranking as the third-largest weekend in the industry, pushing the local gross to $11.4 million. Other notable figures include Central America’s $2.2 million, Venezuela’s $2.1 million, and Chile’s $1.8 million.

In Japan, Tobey Maguire’s Spider-Man collected $3.7 million in its fourth weekend, a slight decline of just 14%, despite the ongoing World Cup matches in Korea and Japan, bringing the Japanese total to $34.1 million. Similarly, in India, the film generated an unprecedented $2.8 million in just ten days. The film is set to launch in additional markets next weekend, including Germany, Australia, Italy, and Switzerland.

Meanwhile, “Star Wars: Episode II — Attack of the Clones” continued its successful run, accumulating approximately $33.2 million in the UK, $25.6 million in Germany, $14.5 million in Australia, and $9.7 million in Spain—figures that are estimates current through Saturday.

“Panic Room” secured the top spot in Singapore, earning $220,000 from 27 screens, and in Thailand with $210,000 from 55 screens, outperforming the debut of “Erin Brockovich” in both markets. It also placed second in Mexico with $1.4 million from 300 screens, doubling the opening of “Erin Brockovich.” The thriller opened in Argentina and South Africa, trailing behind “Spider-Man” and the “Star Wars” saga in other regions such as Malaysia and the Philippines.

Jodie Foster’s “Panic Room” amassed around $5 million over the weekend, raising its international total to $66.7 million, with remaining markets like Brazil, Korea, parts of Latin America, and Eastern Europe still to open. Additionally, “Room” maintained its momentum in Japan, dropping only 22% in its third week to reach a solid $9.4 million.

In Europe, “40 Days and 40 Nights,” a romantic comedy starring Josh Hartnett, led the box office in Germany with a slightly higher gross than “Clones,” earning about $2.5 million from 585 theaters between Thursday and Saturday. It also performed well in Austria and secured a second-place spot in the UK with $1 million over two days, positioning behind the “Star Wars” sequel.

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